Tracing a timeline from World War II to the present day, Approaching the End rethinks apocalyptic cinema by considering its relationship to film noir, the fatalist crime genre of the 1940s and 1950s that remained pervasive through Hollywood’s changing tides. Challenging the common notion of apocalyptic films as special effects destroying cities through natural disasters and alien invasions, Peter Labuza examines films that truly push humanity to the edge, considering why certain American works have imagined our ends.